Economic wellbeing is incorporated into the English curriculum through the exploration of themes related to money, class, and society in literature, as well as developing critical thinking and communication skills needed for future financial decision-making. Students might novels, plays, and poetry that address economic inequality, personal financial struggles, or the impact of wealth on individuals and communities, such as Charles Dickens’ ‘Great Expectations’, Percy Shelley’s ‘England in 1819’, Willy Russell’s ‘Our Day Out’, and J.B Priestley’s ‘An Inspector Calls’. These texts prompt discussions about societal structures, personal choices, and economic justice. Additionally, English lessons involve activities such as persuasive writing or debating, where students may argue their viewpoint about economic issues or explore financial literacy topics, further enhancing their ability to articulate and critically assess economic concepts. This approach not only improves language skills but also deepens students’ understanding of economic wellbeing and its relevance to their lives.
Drama plays a role in developing financial education and economic well-being by exposing students to the business side of the performing arts industry. Through drama, students learn about the economics of theatre production, including budgeting for performances, managing costs for set design, costumes, and marketing, and the financial considerations of staging events. Students also gain an understanding of career opportunities in acting, directing, and production, along with insights into salary expectations, contract negotiations, and the importance of networking. Additionally, drama explores revenue streams like ticket sales, sponsorships, and grants, teaching students how the arts are financed. By understanding the financial and logistical aspects of running a production or creative venture, students enhance their financial literacy and entrepreneurial skills, which contribute to both personal financial management and broader economic well-being in the creative sectors